10.8.18. THE DHARMA OF SPEECH. SPEAK ONLY THAT WHICH IS KIND, TRUE, NECESSARY, AND AT THE APPROPRIATE TIME.
I’m still getting over a very bad cold so will keep this post brief. This week’s class centered around one of my favorite teachings, The Dharma of Speech. And went on from there to encompass the beautiful Tara mantra, om tara tuttare ture swaha; a verse from Mary Oliver’s astonishing riff on the 145th Psalm; a particularly luminous verse from the Tao Te Ching; and a story from Robert Greene’s 48 Laws of Power. While at its root this story is the antithesis of the dharma of speech, still, it makes a fun complement to our contemplation…
Here’s the opening dharana on Tara:
Here’s my dharma talk:
And here are the readings:
Tao Te Ching, Verse 21
The Master keeps her mind always at one with the Tao; that is what gives her radiance.
The Tao is ungraspable. How can her mind be at one with it? Because she doesn’t cling to ideas.
The Tao is dark and unfathomable. How can it make her radiant? Because she lets it.
Since before time and space were, the Tao is. It is beyond is and is not. How do I know this is true? I look inside myself and see.
* * *
On Thy Wondrous Works I Will Meditate(Psalm 145) Mary Oliver
7. I know a man of such mildness and kindness it is trying to change my life. He does not preach, teach, but simply is. It is astonishing, for he is Christ’s ambassador truly, by rule and act. But, more,
he is kind with the sort of kindness that shines out, but is resolute, not fooled. He has eaten the dark hours and could also, I think, soldier for God, riding out under the storm clouds, against the world’s pride and unkindness, with both unassailable sweetness, and consoling word.
published in Devotions, p. 137.
* * *
from The 48 Laws of Power, by Robert Greene
Down on his luck, the screenwriter Michael Arlen went to New York in 1944. To drown his sorrows he paid a visit to the famous restaurant “21.” In the lobby, he ran into Sam Goldwyn, who offered the somewhat impractical advice that he should buy racehorses. At the bar, Arlen met Louis B. Mayer, an old acquaintance, who asked him what were his plans for the future. “I was just talking to Sam Goldwyn…” began Arlen. “How much did he offer you?” interrupted Mayer. “Not enough,” he replied evasively. “Would you take fifteen thousand for thirty weeks?” asked Mayer. No hesitation this time, “Yes,” said Arlen. [p. 32]
March 11, 2018. A week ago, it seemed like Spring. And then a wild crazy nor’easter blew in. The Mother of All Storms. Thick heavy snow coming down a mile a minute. Thunder and lightning adding to the show. Trees down, power out, and the time that rules the dance of daily life stood still. Truth be told, I rather like these times that are, in their way, outside of time. In the space between…
Years ago I was in a meditation retreat with Baba Muktananda. He was teaching the ham-sa mantra. Part of the practice was to focus our awareness on the space between the breaths. To remain in that spaciousness for as long as we could, Four, five, six, seven, eight, nine, maybe ten seconds. He showed us how in that space between the breaths, we touch eternity, poised outside the limiting constructs of time…
One of the curious experiences I had during that weekend retreat was excruciating pain in my left hip. Which began in the Saturday morning session and continued through the closing on Sunday night. Ardent yogini that I was, I soldiered through. And here’s the thing. At the end of the retreat, the pain was gone. Gone. And has never returned…
Was the pain — and I am talking about 48 hours of non-stop physical agony — a kriya, an illusion, something burning up? I will never know. But it did teach me that what I perceive and what is actually happening are not necessarily the same. That when I think I know, or as the Tao Te Ching verse quoted above says, when I presume to know, the odds are, knowledge is not happening….
It’s a tricky business, this knowing and not-knowing, this “I” with all its presumptions, agendas, associations, projections, and attachments. It really does close up the space. And I won’t say I know this. But I sure do feel it in my bones. The spaciousness of that space between the breaths, that’s where it’s all happening. Or not-happening. That is where I want to live.
Here’s my dharma talk from Monday, December 4th. It could be called, What we are is so much more interesting than what we think we should be…. This is a rather freewheeling talk with a handful of LOL moments.
AUDIO OF DECEMBER 4, 2017 DHARMA TALK
AUDIO OF ON TARA TUTTARE TURE SWAHA OPENING OF CLASS
AUDIO OF NAVARNA AND OM NAMAH SHIVAYA MANTRAS
We were reading this text back-to-front but this verse called for a front-to-back context so I also read the two preceding verses. I’m copying them here in that order…
72. When they lose their sense of awe, people turn to religion. When they no longer trust themselves, they begin to depend upon authority.
Therefore the Master steps back so that people won’t be confused. He teaches without teaching, so that people will have nothing to learn.
70. My teachings are easy to understand and easy to put into practice. Yet your intellect will never grasp them, and if you try to practice them, you’ll fail.
My teachings are older than the world. How can you grasp their meaning?
If you want to know me, look inside your heart.
71. Not-knowing is true knowledge. Presuming to know is a disease. First realize that you are sick; then you can move towards health.
The Master is her own physician. She has healed herself of all knowing. Thus she is truly whole.
Prepping for this class which happened to fall on a Super Moon evening, this poem from Lex Hixon’s Mother of the Universe, jumped out off the page. This book used to be my go-to text. As I’ve grown simpler with age however, Lex’s versions of Ramprasad strike me as being a bit too thick. I want everything pared down to its essence. Reading this poem over and over though and typing it out just now, well, let me say that myriad adjectives not withstanding, it’s a rather potent map. And quite soaring.
I am a child reaching out to catch the moon Ramprasad/Lex Hixon
Who in the world can know what Mother Kali really is? She is beyond the reach of every scripture, every system of philosophy.
As the radiant blackness of divine mystery, she plays through the lotus wilderness of the sacred human body. The practitioner of meditation encounters her power deep in the blossom of primordial awareness and within the thousand-petal lotus that floats far above the mind.
Kali is the conscious core, shining through every awakened sage who delights in oneness. This has been demonstrated by countless realized beings. Ma Tara is the queen of freedom within all hears. She reigns timelessly and tenderly. Planes and dimensions of being more vast and subtle than anyone can imagine are found within her womb of encompassing wisdom. The Goddess alone knows the extent of her power. Who else could possibly know?
Laments the singer of this mystic hymn: “Everyone will laugh at my attempt to swim the shoreless sea of her reality, but my soul belongs to her and my heart delights in longing. I am a child reaching out to catch the moon.”
As usual, the final word goes to Mary Oliver. This poem is vast. We can read it over and over again, and always discover something new…
The Mockingbird Mary Oliver
All summer the mocking bird in his pearl-gray coat and his white-windowed wings
flies from the hedge to the top of the pine and begins to sing, but it’s neither lilting nor lovely,
for he is the thief of other sounds– whistles and truck brakes and dry hinges plus all the songs of other birds in his neighborhood;
mimicking and elaborating, he sings with humor and bravado so I have to wait a long time for the softer voice of his own life
to come through. He begins by giving up all his usual flutter and setting down on the pine’s forelock then looking around
as though to make sure he’s alone; then he slaps each wing against his breast, where his heart is, and, copying nothing, begins
easing into it as though it was not half so easy as rollicking, as though his subject now
was his true self, which of course was as dark and secret, as anyone else’s and it was too hard— perhaps you understand— to speak or to sing it to anything or anyone but the sky.
Seated Kuan Yin from the Princeton University Art Museum’s permanent collection.
Life’s been so sped up these last few months, it’s been impossible to keep this blog current. My heartfelt apologies to everyone who looks forward to new content. This post should fill some of that long gap. I’m including audio from the last two classes of November.
Class on November 20th was a rather free-wheeling journey that wove the Tao Te Ching, Sri Lalita Sahasranama, and a Mary Oliver poem. It’s all there in the talk. Text of readings below. And scroll down below that for audio of mantra chanting…
11.20.17 OPENING DHARANA AND DHARMA TALK
READINGS FROM DHARMA TALK
From the Tao Te Ching
The Tao is always at ease.
It overcomes without competing,
answers without speaking a word,
arrives without being summoned,
accomplishes without a plan.
Its net covers the whole universe,
And though its meshes are wide,
it doesn’t let a thing slip through.
* * * *
From the Sri Lalita Sahasranama
She who is tranquility itself.
Shanti is evenness of mind in happiness and in sorrow, in profit and in loss, in victory and in defeat.
According to Shaivagam, Shanti is… that kala which dispels the three major types of impurities, anava,maya, and karma… It shows the way for those who are struggling in the illusion of maya and in actions contrary to one’s karma, forsaking one’s own dharma and embracing that of someone else.
Slipping away from one’s own dharma will not bring prosperity; it causes loss of shanti. The declaration in the Gita that “better is death following one’s own dharma; following another’s dharma leads to fear” is indeed a cornerstone for building a righteous life.
* * * *
from Mary Oliver’s A Thousand Mornings
One summer afternoon I heard
a looming, mysterious hum
high in the air; then came something
like a small planet flying past –
not at all interested in me but on its own
way somewhere, all anointed with excitement:
not to be held back.
Nothing could hold them back.
Black snake wrapped in a tree, our eyes
The grass singing
as it sipped up the summer rain.
The owl in the darkness, that good darkness
under the stars.
The child that was myself, that kept running away
to the also running creek,
to colt’s foot and trilliams,
to the effortless prattle of the birds.
3. SAID THE MOTHER
You are going to grow up
and in order for that to happen
I am going to have to grow old
and then I will die, and the blame
will be yours.
4. OF THE FATHER
He wanted a body
so he took mine.
Some wounds never vanish.
Yet little by little
I learned to love my life.
Though sometimes I had to run hard –
especially from melancholy –
not to be held back.
I think there ought to be
a little music here:
The resurrection of the morning.
The mystery of the night.
The hummingbird’s wings.
The excitement of thunder.
The rainbow in the waterfall.
Wild mustard, that rough blaze of the fields.
The mockingbird, replaying the songs of his
The bluebird with its unambitious warble
simple yet sufficient.
The shining fish. The beak of the crow.
The new colt who came to me and leaned
against the fence
that I might put my hands upon his warm body
and know no fear.
Also the words of poets
a hundred or hundreds of years dead —
their words that would not be held back.
Oh the house of denial has thick walls
and very small windows
and whoever lives there, little by little,
will turn to stone.
In those years I did everything I could do
and I did it in the dark –
I mean, without understanding.
I ran away.
I ran away again.
Then, again, I ran away.
They were awfully little, those bees,
and maybe frightened,
yet unstoppably they flew on, somewhere,
to live their life.
Hum, hum, hum.
[Please note I’m unable to input proper transliteration of Sanskrit and formatting of Oliver’s poem.]
AUDIO OF CLASS CHANTING SARASWATI AND OM NAMAH SHIVAYA MANTRAS
AUDIO OF CLASS CHANTING GAYATRI MANTRA WITH CLOSING DHARANA
AUDIO OF SG SOLO CHANTING BEFORE CLASS
11.27.17 AUDIO OF ENTIRE CLASS
November 27 was an all-chant class. Here’s the live recording from that. If you’ve never been to Monday Night Class, this will give you a sense of what it’s like to be in the room. This is very low-tech recording for music so do listen with gentle ears…
Finally, although I’ve stopped writing political commentary here, the age of Trump continues. Wreaking havoc on our democracy, international relations, the planet, and even outer space. If you want to embody Kuan Yin, whose name means, She Who Hears the Cries of the World, do click here to read Nicholas Kristof’s recent piece in the New York Times, and if you can, please make a donationto the Jamal family. Along with that, if you’ve not seen Ai Weiwei’s extraordinary film, Human Flow, it’s essential education for anyone who cares about life on this amazing extraordinary planet we all call home…
“Out beyond ideas of wrongdoing and rightdoing there is a field. I’ll meet you there…” –Rumi
It’s been quite a month and I am way behind posting classes here. Fortunately the wisdom teachings have no expiration date…
November 13’s Monday Night Class continued our immersion in the deity field personified as the goddess Saraswati, who in “her” most sublime possibility might be understood as that field of which Rumi sings.
This is a field we all do well to live in….
The Tao Te Ching verses for this week were 75 and 74. However, since neither struck me as being rooted in that field, I found I could not speak about them with integrity or authenticity. Two more qualities we can associate with Saraswati. Rather than go against the dharma of speech, I spoke instead about why I could not speak about them…
SARASWATI AND OM NAMAH SHIVAYA MANTRAS
SG SOLO SARASWATI AND ONS MANTRAS BEFORE CLASS
Here are the Mary Oliver poems I read.
These are from her collection, Blue Horses.
As deep as I ever went into the forest I came upon an old stone bench, very, very old, and around it a clearing, and beyond that trees taller and older than I had ever seen.
Such silence! It really wasn’t so far from a town, but it seemed all the clocks in the world had stopped counting. So it was hard to suppose the usual rules applied.
Sometimes there’s only a hint, a possibility. What’s magical, sometimes, has deeper roots than reason. I hope everyone knows that.
I sat on the bench, waiting for something. An angel perhaps. Or dancers with the legs of goats.
No, I didn’t see either. But only, I think, because I didn’t stay long enough.
WATERING THE STONES
Every summer I gather a few stones from the beach and keep them in a glass bowl. Now and again I cover them with water, and they drink. There’s not questions about this; I put tinfoil over the bowl, tightly, yet the water disappears. This doesn’t mean we ever have a conversation, or that they have the kind of feelings we do, yet it might mean something. Whatever the stones are, they don’t lie in the water and do nothing.
Some of my friends refuse too believe it happens, even though they’ve seen it. But a few others—I’ve seen them walking down the beach holding a few stones, and they look at them rather more closely now. Once in a while, I swear, I’ve even heard one or two of them saying, “Hello.” Which, I think, does not harm to anyone or anything, does it?
FRANZ MARC’S BLUE HORSES
I step into the painting o the four blue horses. I am not even surprised that I can do this.
One of the horses walks toward me. His blue nose noses me lightly. I put my arm over his blue man, not holding on, just commingling. He allows me my pleasure. Franz Marc died a young man, shrapnel in his brain. I would rather die than try to explain to the blue horses what war is. They would either faint in horror, or simply find it impossible to believe. I do not know how to thank you, Franz Marc. Maybe our world will grow kinder eventually. Maybe the desire to make something beautiful is the piece of God that is inside each of us. Now all four horses have come closer, are bending their faces toward me, as if the have secrets to tell. I don’t expect them to speak, and they don’t. If being so beautiful isn’t enough, what could possible say?
New visitors to this blog wanting to read more about Saraswati, please scroll down to the previous post. And, if you’re curious to read the verses I did not read 😉 here they are…
When taxes are too high,
people go hungry.
When the government is too intrusive,
people lose their spirit.
Act for the people’s benefit.
Trust them; leave them alone.
If you realize that all things change,
there is nothing you will try to hold on to.
If you aren’t afraid of dying,
there is nothing you can’t achieve.
Trying to control the future
is like trying to take the master carpenter’s place.
The messaging in this week’s verse does not hold back, proclaiming loud and clear, do you want to be a disciple of death or of life…
76. Men are born soft and supple; dead, they are stiff and hard.
Plants are born tender and pliant, dead, they are brittle and dry.
Thus whoever is stiff and inflexible is a disciple of death. Whoever is soft and yielding is a disciple of life.
The hard and stiff will be broken. The soft and supple will prevail.
It’s an important question. Not just for those on a wisdom path. It’s a question the entire world would do well to consider.
I was at a meditation retreat a zillion years ago and the practice was simple and shocking. Contemplate your death. It’s a great practice. It puts everything into perspective.
Is it Carlos Castaneda’s Don Juan who says we should live with the awareness that death is sitting on our left shoulder. I might not have the exact words or correct source, but the teaching is vast and deep. Death accompanies us through every moment of life. Easy to forget as we trudge through the hours. But remembering is such a gift. Steadfast contemplation of death is the surest way to become a disciple of life…..
This week’s class weaves the wisdom of the above verse with contemplation of the goddess Saraswati. For visitors to this blog unfamiliar with this sublime deity field, let me simply say, Saraswati lives inside of us as the river of insight and inspiration. My favorite epithet for “her” is, She Who Lives on the Tongues of Poets.
Here are the Mary Oliver poems I read in this week’s dharma talk. These are from her collection, Swan: Poems and Prose Poems. [With apologies to MO for my inability to tweak the program here so it keeps the subtleties of her formatting.]
Percy Wakes Me (Fourteen)
Percy wakes me and I am not ready.
He has slept all night under the covers.
Now he’s eager for action: a walk, then breakfast.
So I hasten up. He is sitting on the kitchen counter
where he is not supposed to be.
How wonderful you are, I say. How clever, if you
to wake me.
He thought he would hear a lecture and deeply
his eyes begin to shine.
He tumbles onto the couch for more compliments.
He squirms and squeals; he has done something
that he needed
and now he hears that it is okay.
I scratch his ears, I turn him over
and touch him everywhere. He is
wild with the okayness of it. Then we walk, then
he has breakfast, and he is happy.
This is a poem about Percy.
This is a poem about more than Percy.
Think about it.
I worried a lot. Will the garden grow, will the rivers
flow in the right direction, will the earth turn
as it was taught, and if not, how shall
I correct it?
Was I right, was I wrong, will I ever be forgiven,
can I do better?
Will I ever be able to sing, even the sparrows
can do it and I am, well,
Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
Finally I saw that worrying had come to nothing.
And gave it up. And took my old body
and went out into the morning.
Let laughter come to you now and again, that
The impulse to leap off the cliff, when the
body falsely imagines it might fly, may be
restrained by reason, also by modesty. Of the
two possibilities, take your choice, and live.
Refuse all cooperation with the heart’s death.
I have been risky in my endeavors,
I have been steadfast in my loves;
Oh Lord, consider these when you judge me.
If you suddenly and unexpectedly feel joy,
don’t hesitate. Give in to it. There are plenty
of lives and whole towns destroyed or about
to be. We are not wise, and not very often
kind. And much can never be redeemed.
Still life has some possibility left. Perhaps this
is its way of fighting back, that sometimes
something happens better than all the riches
or power in the world. It could be anything,
but very likely you notice it in the instant
when love begins. Anyway, that’s often the
case. Anyway, whatever it is, don’t be afraid
of its plenty. Joy is not made to be a crumb.
Beginning this month, we’re having an all-chant class on the fourth (non-holiday) Monday of each month. Daniel Johnson will be accompanying chanting on tabla. These evenings will not be recorded. You simply have to be there ❤️ The first class of this new offering was on October 23. Which is why there is no blog post for that week.
OCTOBER 30 MONDAY NIGHT CLASS
77. As it acts in the world, the Tao is like the bending of a bow. The top is bent downward; the bottom is bent up. It adjusts excess and deficiency so that there is perfect balance. It takes from what is too much and gives to what isn’t enough.
Those who try to control, who use force to protect their power, go against the direction of the Tao. They take from those who don’t have enough and give to those who have far too much.
The Master can keep giving because there is no end to her wealth. She acts without expectation, succeeds without taking credit, and doesn’t think that she is better than anyone else.
This week’s class wove the above verse with my telling of the Hindu myth of the birth of Laksmi. Both are profoundly relevant for us 21st century moderns. And together they pack quite a punch.
No poetry this week but here’s an essential quote from the Laksmi story:
“Go and make peace with your enemies the demons,” he told them. “When there is a great task ahead, one should befriend even enemies. Cast into the Milky Sea potent herbs, then take Mount Mandara for a churning-stick, the serpent Vasuki for a rope, and churn the ocean for the dew of life. For this you need the demon’s aid; make alliance with them, therefore, and engage to share with them the fruit of your combined labor.”
Opening chanting for this week’s class combined Laksmi and Tara mantras. Alas, a technical glitch so no audio. I do however have the dharana. Which offers a lovely way of holding these two mantra/deity fields. A small note on the goddess Laksmi, who, because of “her” association with material abundanceis looked down on in some ascetic yogic circles. From my perspective this is really really really wrong understanding.
78. Nothing in the world is as soft and yielding as water. Yet for dissolving the hard and inflexible, nothing can surpass it.
The soft overcomes the hard; the gentle overcomes the rigid. Everyone knows this is true, but few can put it into practice.
Therefore the Master remains serene in the midst of sorrow. Evil cannot enter his heart. Because he has given up helping, he is people’s great help. True words seem paradoxical.
This is such a great verse we stayed with it for two weeks. As I wrote in my last post, it’s an elegant articulation of the Sacred Feminine. For visitors to this blog who are unclear about what exactly is the Sacred Feminine, the simplest way to get this is to think of the feminine as the realm of being and masculine as the realm of doing.
While we can work with the personifications articulated as gods and goddesses, I think it’s way more helpful and relevant to understand that these are energies of consciousness within ourselves.
Think of the Goddess, aka Devi, aka the Sacred Feminine as the great interior well of being, ocean of the unconscious, ground of being, source of everything we are. It’s the mysterious inside of us. That which we don’t see. It’s what we sense and feel and intuit. And it is the content, to put it in more modern language contained within the vehicles, (which are of the masculine), of our actions and words…
So again: feminine = realm of being; masculine = realm of doing…
It’s helpful to think of the masculine as the bridge function; that which carries the energy of being into manifestation. For instance: creative inspiration arises from the feminine and is interpreted and developed (or denied and ignored) through the masculine faculty of thinking and creating. Great things happen when masculine and feminine work in loving harmony. The masculine stays connected to the feminine, understanding that this is its ground. Problems arise when the masculine (doing/thinking/individuating) function dissociates from its feminine source. The story I tell in this week’s dharma talk is a lovely illustration of this….
Here’s that talk. It’s a good one 😉
Here’s the story:
“Once Vishnu was riding through the air on the sunbird Garuda. Both of them, filled with their sense of self, saw in Vishnu the highest most irresistible and universal being. They flew past the throne of the Great Goddess but gave her no heed. “Fly on, fly on,” said Vishnu to Garuda. Then the Great Goddess poured rigidity upon them, and they could not stir from the spot. Vishnu in his rage shook her seat with both hands but could not move. Instead he fell and sank to the bottom of the world ocean. Unable to stir, he lost consciousness and became rigid, defenseless, and lifeless. Brahma went in search of him and tried to lift him, but he also fell under the same enchantment and grew rigid. The same fate befell all the other gods who tried to raise them from the bottom of the sea. Only Shiva understood what had happened and led them back to do homage to Her and obtain her grace… Then as they worshipped her, the Goddess revealed herself in the flesh and bade all gods drink of the waters of her womb and bathe therein. ‘Then you will be free of imprisonment in your ego…’ ”
Here are the two quotes, both cited in Edward C. Whitmont’s 1986 book, Return to the Goddess. The first is from Elucidations, Prologue to Chretien de Troyes’ Percival. The second is the verse I often recite from John C. We’s 1962 version of the Tao Te Ching. The above story is also told by Whitmont…
1. The land was dead and desert So that they lost the voices of the wells And the maidens who were in them.
2. The spirit of the fountain never dies. It is called the mysterious feminine. The entrance to the mysterious feminine Is the root of all heaven and earth. Frail, frail it is, hardly existing. But touch it; it will never run dry.
Here is this week’s chanting:
Here’s the opening chant and dharana:
And the final word goes to Mary Oliver. This is from her 2006 collection, Thirst. This is the poem I did not have time to read!
Messenger My work is loving the world. Here the sunflowers, there the hummingbird— equal seekers of sweetness. Here the quickening yeast; there the blue plums. Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn? Am I no longer young, and still not half-perfect? Let me keep my mind on what matters, which is my work,
which is mostly standing still and learning to be astonished. The phoebe, the delphinium. The sheep in the pasture, and the pasture. Which is mostly rejoicing, since all the ingredients are here,
which is gratitude, to be given a mind and a heart and these body-clothes, a mouth, with which to give shouts of joy to the moth and the wren, to the sleepy dug-up clam, telling them all, over and over, how it is that we live forever.