November 6, 2017 Monday Night Class: Do you want to be a disciple of death or a disciple of life…

badavagni_saraswati

The messaging in this week’s verse does not hold back, proclaiming loud and clear, do you want to be a disciple of death or of life…

 

76.
Men are born soft and supple;
dead, they are stiff and hard.

Plants are born tender and pliant,
dead, they are brittle and dry.

Thus whoever is stiff and inflexible
is a disciple of death.
Whoever is soft and yielding
is a disciple of life.

The hard and stiff will be broken.
The soft and supple will prevail.

 

It’s an important question. Not just for those on a wisdom path. It’s a question the entire world would do well to consider.

I was at a meditation retreat a zillion years ago and the practice was simple and shocking. Contemplate your death. It’s a great practice. It puts everything into perspective.

Is it Carlos Castaneda’s Don Juan who says we should live with the awareness that death is sitting on our left shoulder. I might not have the exact words or correct source, but the teaching is vast and deep. Death accompanies us through every moment of life. Easy to forget as we trudge through the hours. But remembering is such a gift. Steadfast contemplation of death is the surest way to become a disciple of life…..

This week’s class weaves the wisdom of the above verse with contemplation of the goddess Saraswati. For visitors to this blog unfamiliar with this sublime deity field, let me simply say, Saraswati lives inside of us as  the river of insight and inspiration. My favorite epithet for “her” is, She Who Lives on the Tongues of Poets.

Click here to read more about Saraswati.

SARASWATI MANTRAS

DHARMA TALK

LAKSMI DHUMAVATI MANTRAS

 

Here are the Mary Oliver poems I read in this week’s dharma talk. These are from her collection, Swan: Poems and Prose Poems. [With apologies to MO for my inability to tweak the program here so it keeps the subtleties of her formatting.]

 

Percy Wakes Me (Fourteen)

Percy wakes me and I am not ready.
He has slept all night under the covers.
Now he’s eager for action: a walk, then breakfast.
So I hasten up. He is sitting on the kitchen counter
where he is not supposed to be.
How wonderful you are, I say.  How clever, if you
needed me,
to wake me.
He thought he would hear a lecture and deeply
his eyes begin to shine.
He tumbles onto the couch for more compliments.
He squirms and squeals; he has done something
that he needed
and now he hears that it is okay.
I scratch his ears, I turn him over
and touch him everywhere.   He is
wild with the okayness of it.  Then we walk, then
he has breakfast, and he is happy.
This is a poem about Percy.
This is a poem about more than Percy.
Think about it.

 

I Worried

I worried a lot. Will the garden grow, will the rivers
flow in the right direction, will the earth turn
as it was taught, and if not, how shall
I correct it?

Was I right, was I wrong, will I ever be forgiven,
can I do better?

Will I ever be able to sing, even the sparrows
can do it and I am, well,
hopeless.

Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
lockjaw, dementia?

Finally I saw that worrying had come to nothing.
And gave it up. And took my old body
and went out into the morning.
and sang.

 

More Evidence.

4.
Let laughter come to you now and again, that
sturdy friend.

The impulse to leap off the cliff, when the
body falsely imagines it might fly, may be
restrained by reason, also by modesty. Of the
two possibilities, take your choice, and live.

Refuse all cooperation with the heart’s death.

 

Whispered Poem

I have been risky in my endeavors,
I have been steadfast in my loves;

Oh Lord, consider these when you judge me.

 

Don’t Hesitate

If you suddenly and unexpectedly feel joy,
don’t hesitate. Give in to it. There are plenty
of lives and whole towns destroyed or about
to be. We are not wise, and not very often
kind. And much can never be redeemed.
Still life has some possibility left. Perhaps this
is its way of fighting back, that sometimes
something happens better than all the riches
or power in the world. It could be anything,
but very likely you notice it in the instant
when love begins. Anyway, that’s often the
case. Anyway, whatever it is, don’t be afraid
of its plenty. Joy is not made to be a crumb.

The Saraswati Work: Dharma Talk & Chanting from Monday, February 11, 2013

Cubist Saraswati

 

 

 

 

 

 

We continue swimming in the waters of the deity field personified in the Indian tradition as the goddess Saraswati. Here’s my dharma talk from February 11th. It opens with a commentary/exposition on the Saraswti Bija Mantra and goes on to explore the dance between embrace, descent, and reclamation on the spiritual, creative, transformational journey…

 

Here’s a clip of chanting from this class: Saraswati Bija Mantra gliding into Om Namah Shivaya followed by a dharana on the luminosity of Saraswati:

 

Here’s text of the David White poems I read in my dharma talk:

THE STATUE OF SHIVA
–David Whyte
 
The statue of Shiva
entwined with his lover
– the way
we love to hold closely
what is ours.
 
Their speech
so plain to the attentive ear
bowing close to listen.
 
“The universe refuses the vows
of the celibate.
Preparing them instead with
songs for marriage.
Everything it knows
was born of the great embrace.”

THE HUSK OF YOUR VOICE
–David Whyte
 
The husk of your voice
is like a chrysalis
grown round something
hidden,
waiting to be born
and waiting for you
to stop.
 
What is inside
wants you to know itself fully
before it is born.
 
That’s why it refuses
to reveal itself,
sure as you are
that you need not slip down
that long branch of your body
to the very root
and in that earth
hear the damp echo
of everything
you have not touched
reflected
in your voice, and the air
suddenly quicken
as if innocent speech
could rise again
from that rich and
impossible soil
composed
of your neglected
past.
 
Like sap rising
in the steady tree
of your life.
 
Your voice opens
and shows
the strong outline
of that tree
against the sky,
 
where another
shadow
takes flight
startled by your
new cry,
 
the shadow
of something leaving
to find its own way
in the world.
 
Something you carried
as a black weight
for many years.
 
You watch it go
relieved
as if it might return
blessed by world
which
allows its going,
refusing to be held
and refusing to hold
you again,
free and finally
in its flight
to another’s mouth
untroubled by your breath.

 

And the last word goes to Kabir. This beloved poet-weaver of Varanasi is, in my opinion, one of the greatest channels for the insight-wisdom-luminosity-stream personified as the goddess Saraswati:

THE CLAY JUG
Kabir [version by Robert Bly]
 
Inside this clay jug there are canyons and pine
mountains, and the maker of canyons and pine
mountains!
All seven oceans are inside, and hundreds of millions of
stars.
The acid that tests gold is there, and the one who judges
jewels.
And the music from the strings no one touches, and the
source of all water.
 
If you want the truth, I will tell you the truth:
Friend, listen: the God whom I love is inside.